The DebutanteApr 172 minTracing Reality and Fantasy in the Choreography of Suspiria, Hexentanz, and Blaubart
The DebutanteMay 19, 20234 minDreams as a Portal to Feminist Consciousness: The Photomontages of Grete Stern
The DebutanteMar 20, 20237 min“A lot of my art decomposes on its own, returning to nature where it came from...”
The DebutanteOct 14, 20223 minWeaving Inspiration into Words: A Reflection on Remedios Varo by Rym Kechacha
The DebutanteSep 30, 20217 minFashioning the Fragments of Female Form: The Debutante in conversation with Lilia Ziamou
The DebutanteSep 17, 20212 minDorothea Tanning and Perilous Childhoods III: 'Palaestra' by Selin Genc
The DebutanteSep 9, 20214 minDorothea Tanning and Perilous Childhoods II: 'Children's Games' and 'Interieur'
The DebutanteJul 3, 20216 minEnter the dream state: alternative subjectivities in the occult performances of Elise Muller
The DebutanteApr 13, 20214 minA Countervailing Theory – the visual language of speculative storytelling
The DebutanteNov 21, 20209 minThe Kaleidoscopic Self Part III: Le Livre de Leonor Fini (1975) by Brianna Mullin
The DebutanteNov 2, 20204 minGuided by the Energy of past feminist-surrealists. Part II of Leah Clare Michaels' Mexico series
The DebutanteOct 29, 202013 minThe Divinity of Water: An Interview with artist Oletha DeVane By Leah Clare Michaels
The DebutanteSep 12, 20203 minGuarding Leonora: Part I of a short story series by Leah Clare Michaels
