Remembering the 59th Venice Biennale to re-enchant the world

Weaving Inspiration into Words: A Reflection on Remedios Varo by Rym Kechacha

5 unmissable Surrealism exhibitions in 2022

Fashioning the Fragments of Female Form: The Debutante in conversation with Lilia Ziamou

Dorothea Tanning and Perilous Childhoods III: 'Palaestra' by Selin Genc

Dorothea Tanning and Perilous Childhoods II: 'Children's Games' and 'Interieur'

Dorothea Tanning and Perilous Childhoods I: 'Eine Kleine Nachtmusik'

Enter the dream state: alternative subjectivities in the occult performances of Elise Muller

A Countervailing Theory – the visual language of speculative storytelling

International Women's Day: pairing surrealism with song

Are you sitting uncomfortably? Iva Kinnaird’s uncanny couches

The Kaleidoscopic Self Part III: Le Livre de Leonor Fini (1975) by Brianna Mullin

Guided by the Energy of past feminist-surrealists. Part II of Leah Clare Michaels' Mexico series

The Revival of the Witch as Muse by Tasmin Petrie

The Divinity of Water: An Interview with artist Oletha DeVane By Leah Clare Michaels

Guarding Leonora: Part I of a short story series by Leah Clare Michaels

The surreal space between truth and fiction: Mary Harman

The Kaleidoscopic Self Part II: 'Disavowals' by Claude Cahun (1930)

'The Kaleidoscopic Self,' a three-part series by Brianna Mullin

Our feminist approach to surrealism needs to be more intersectional.